Sunday, September 25, 2011

Review: Uncle Peter's Amazing Chinese Wedding


Uncle Peter's Amazing Chinese Wedding
Uncle Peter's Amazing Chinese Wedding by Lenore Look

My rating: 3 of 5 stars



Uncle Peter's Amazing Chinese Wedding is a good book to teach your child a little bit about Chinese wedding traditions. It might also help a young one get over his or her feelings of jealousy if they think that a relative is ignoring him or her in favor of a new spouse. The narrator of the book, a young girl, is very sad on the day of her favorite uncle's wedding, and feeling neglected and ignored. She is reluctantly dragged through the stages of her uncle's wedding, and describes them and explains how they would have been different a hundred years ago, or two hundred years ago. The illustrations are simple, colorful, and a bit busy. It almost seems as though the narrator might have drawn them to aid in telling her story. Recommended.



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Review: Five Creatures


Five Creatures
Five Creatures by Emily Jenkins

My rating: 4 of 5 stars



This cute picture book would be a fun read to share with your child. The text, whimsically drifting along the borders of the full-page illustrations, details common characteristics of five creatures, namely a little girl, her mother, her father, and their two cats. The erasure of the line that separates humans and animals in this family is very interesting, and the different groups that they split into can provide good conversational material for a parent and child. It's funny how many likes and hobbies the humans share with the cats, though in slightly different ways. For instance, of the five, there are "Four who have a knack with yarn." The picture shows the mother and daughter knitting scarves as the cats play with balls of yarn on the floor. The art is cute and simple, with soft borders between colors and skewed perspectives. Recommended, especially for children in households with cats or other pets.



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Wednesday, September 21, 2011

Review: Little Red Riding Hood


Little Red Riding Hood
Little Red Riding Hood by Jerry Pinkney

My rating: 4 of 5 stars



Fans of classic stories and art alike will find something to enjoy in this interpretation of Little Red Riding Hood. The large, detailed illustrations are very realistic while at the same time exhibiting a sketchiness and a nuanced use of lines to bestow a feeling of dreaminess, as though we are seeing through the pictures to their very essences. The sense of slight unreality is heightened by the use of soft watercolors. Because Pinkney chose to set the story in the wintertime, Little Red Riding Hood's bright red cloak is the focal point of every page she's on. Since the story is so well-known, the text almost isn't needed; the pictures seem to tell the story all by themselves. Recommended for children of all ages.



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Tuesday, September 20, 2011

Review: Furry Friends: Flip-a-Face


Furry Friends: Flip-a-Face
Furry Friends: Flip-a-Face by SAMi

My rating: 4 of 5 stars



An interactive book about identity and illustration, Furry Friends is a board book worth sharing with your child. Bright colors and blocky shapes make for a visually pleasing layout. The book's simple text elicits good conversation between child and parent, or could be bypassed for more basic enjoyment of the subject matter. While young children can interact with the cutouts and colors, older children will have fun identifying the differences between facial features on animals. This would be especially recommended for animal lovers, or children who would enjoy the practice of identifying species or parts of the face. The variety of settings pictured around the animals and the differences between domesticated and wild animals are also rich topics for parent-child conversations. This book would be best for children under 3.



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Thursday, December 17, 2009

The Seven Sermons to the Dead

The story begins with three wise men. Sound familiar? Except in this case, the men get together to discuss the mysterious and newly translated book by eminent psychologist C. G. Jung. The year is 1949, and two of these men have fled from nearby Hungary to safer climes in Austria. One of the men is a Roman Catholic priest, once a member of the Jesuit order, and the youngest professor to hold a seat in the University of Hungary. This man, though a priest, is also an expert on Existentialism, and knew Sartre personally.
The second man is the author himself, at this time wet behind the ears and just getting into philosophy—not to mention maybe someday the priesthood.
The third man, the man who brings the book, is another priest about which not much is known. Because the book was for Jung’s close friends, it had been passed along for almost forty years just between a few men and in that way the third man encountered The Seven Sermons to the Dead.
The “sermons” themselves are baffling poetry, credited to Emperor Basilides—a seventeenth century alchemist and Gnostic who taught extensively in Alexandria—the ancient world’s most progressive and mystical city, located in Egypt (where east meets west). The book itself was beautiful—expensively bound, hand-written in German, and with a long unused Gothic typeface.
Dr. Jung, writing in the voice of ancient Basilides, published the rare little volumes in 1916. He kept it quiet because to be Gnostic, or even associated with such philosophy, was long considered heretical throughout history. No doubt, Jung felt he could not come forward with these as his specific beliefs.
“The dead came back from Jerusalem, where they did not find what they were seeking.”
Thus starts the Seven Sermons, the “dead” being those who have not reached individuation i.e. knowledge of the self. These are lost people, who conform to society rather than embrace their own unique and dichotomous spirits. Jung, in the voice of Emperor Basilides, continues throughout to “teach”, because he is implored, about the mysteries of universe, man, god, and spirit.
The first sermon deals with the “pleroma” or that which surrounds and fills all things. This ether has no qualities because it is all qualities. In general, I think he’s talking about space and the essence of the universe itself. The nameless and intangible something in which we are all suspended and out of which we are all created. By definition, as unique beings, we must by nature differentiate ourselves from this pleroma, this nothing and everything in which all qualities are contained. If we were to let ourselves become absorbed even in thought about it, we should cease to be.
”All things which are called definite and solid are but relative, for only that which is subject to change appears definite and solid.”
“We die to the extent that we fail to discriminate.”
“But if we know how to know ourselves as being apart from the pairs of opposites, then we have attained to salvation.”
It is implied in this first sermon that this endless potentiality of pleroma can influence a man to become either extreme on a spectrum of opposing forces—light/dark, good/evil, masculine/feminine. Instead, by transcending these forces and disallowing the projection of our own ideas on what is basically a faceless universe, a man can become truly what his nature has designed for him to be. All it takes, is listening to the self’s true desires and not letting anyone or anything stand in the way of progress to that growth.
To this day, these sermons have not been fully explored and there is too much to go over each individually or I would risk writing a novel myself. I recommend this book for anyone who is tired of the traditional “faith” around them--someone who is seeking a harmonious and balanced way of looking at the universe and our place in it as essential and unique beings. And also, someone who wants to consider an idea which allows for the attainment of their full potential.

Sunday, November 1, 2009

The Language Instinct

I thought that this book by Steven Pinker was very interesting. It goes from sentence diagramming (which I don't think I ever learned) to the makeup of the brain to case studies of linguistic savants and computer programs that try to emulate human conversation. Though the information is densely packed into this volume, it is still entertaining. I wouldn't pick it up if I wanted a light read, but if you're as interested in linguistics as I am, this seems like it was a great introductory book.
Pinker's assertion is that humans are born with an instinct to learn language, and a specific window in which we are optimally prepared to learn it-- which is why people who learn second languages later in life learn more slowly, and have thicker accents. He also brings up the sad cases of those poor folk who have been raised without language, in insanely neglectful and abusive households. They can never learn any language as well as someone who is raised with it, though some have invented languages of their own.
Another particularly interesting aspect of this book was Pinker's propensity for bringing in examples from other languages. I liked it when he used examples from Japanese, since I've studied it, but there were some absolutely fascinating examples from various African languages as well. It's wonderful to see these wildly different languages broken down into their component pieces to find out that they are not so different after all.

I would definitely suggest that anyone interested in linguistics read this book-- I am sure I have not done it justice.

More Sookie Stackhouse

Okay, so I now realize that it might be kind of silly to keep writing reviews for every Sookie Stackhouse novel-- they're all written by the same woman, in the same style, with the same characters, for the most part. If you like the first one, you're going to like the rest of them. So I thought I might condense the rest of the books into one review, writing only a sentence or two about each title.
And I suppose I should mention now that I am not fond of the cover art at all. The cover of Dead Until Dark was the best of the lot. After that, they switch to a strange, stylistic, almost childish style. I've also never been a fan of the little starbursts on the cover of books that proclaim that they're in Oprah's book-of-the-month club, or now a new HBO series, or a movie, or whatever. I think I would prefer a similar notice inside the book somewhere... or even just inside the cover. It's just such an eyesore. Ah, well.

Dead to the World : The Viking vampire Eric loses his memory due to a curse, and is put in the unique position of being the only male character in the series (so far) who has the opportunity to fall in love with Sookie twice. We learn a little more about witchcraft, and fairies.

Dead as a Doornail : We get a better look into the werepanther society in Hotshot. Sookie puts on her detective hat again.

Definitely Dead : Sookie's estranged cousin Hadley, who had become a vampire and the consort of the Queen of Louisiana, is murdered. She leaves all of her possessions for Sookie to go through, and Sookie is drawn into intrigue after intrigue. We learn a little more about witches and Wiccans.

All Together Dead : There is an important vampire convention, and Sookie is dragged along as an accessory of the Queen.

From Dead to Worse : Oh my goodness, it ends with such a tweest! I can't wait for the next book to come out.

Sorry for the extremely short 'reviews,' but as I said, they are all written very similarly, and if you like one, you'll like the rest. Also, I finished them quite a while ago, and just haven't gotten around to writing about them.
I would definitely recommend both the HBO show and the book series. They go in such different directions, but each in interesting.