More Sookie Stackhouse

Okay, so I now realize that it might be kind of silly to keep writing reviews for every Sookie Stackhouse novel-- they're all written by the same woman, in the same style, with the same characters, for the most part. If you like the first one, you're going to like the rest of them. So I thought I might condense the rest of the books into one review, writing only a sentence or two about each title.
And I suppose I should mention now that I am not fond of the cover art at all. The cover of Dead Until Dark was the best of the lot. After that, they switch to a strange, stylistic, almost childish style. I've also never been a fan of the little starbursts on the cover of books that proclaim that they're in Oprah's book-of-the-month club, or now a new HBO series, or a movie, or whatever. I think I would prefer a similar notice inside the book somewhere... or even just inside the cover. It's just such an eyesore. Ah, well.

Dead to the World : The Viking vampire Eric loses his memory due to a curse, and is put in the unique position of being the only male character in the series (so far) who has the opportunity to fall in love with Sookie twice. We learn a little more about witchcraft, and fairies.

Dead as a Doornail : We get a better look into the werepanther society in Hotshot. Sookie puts on her detective hat again.

Definitely Dead : Sookie's estranged cousin Hadley, who had become a vampire and the consort of the Queen of Louisiana, is murdered. She leaves all of her possessions for Sookie to go through, and Sookie is drawn into intrigue after intrigue. We learn a little more about witches and Wiccans.

All Together Dead : There is an important vampire convention, and Sookie is dragged along as an accessory of the Queen.

From Dead to Worse : Oh my goodness, it ends with such a tweest! I can't wait for the next book to come out.

Sorry for the extremely short 'reviews,' but as I said, they are all written very similarly, and if you like one, you'll like the rest. Also, I finished them quite a while ago, and just haven't gotten around to writing about them.
I would definitely recommend both the HBO show and the book series. They go in such different directions, but each in interesting.

Club Dead

The third book of Charlaine Harris' Southern Vampire series begins with Sookie acting petulant. It's kind of refreshing, not having to wait for it. The tanned blond telepath is having yet more problems with her pale vampire lover, Bill. It's understandable, though-- at this point they've been together for a few months, and the honeymoon's over. Not that they're married, Sookie would be quick to point out. It's not legal for vampires to marry humans. And once she has pointed that out, it is required by law that she add, "Not that he's asked me." She seems awfully bitter that her soulmate (of a few months) hasn't tried to wed her (illegally).

You know what else makes Sookie bitter? When Bill uses the computer for top-secret vampire stuff and doesn't shower her with attention. He doesn't even tell her what his top-secret vampire stuff is about! So when he leaves, on more top-secret vampire business, she feels so betrayed and hurt and it's the worst thing that has ever happened to her, ever, ever, boo-hoo-hoo, etc.

When she finds out that it is past the time that he should have been home, and she hadn't known when he was due back, and other vampires know more about the situation than she does, she feels even more hurt and betrayed, and it can't possibly get any worse, but then oh my god somehow it does get worse! Sookie mopes through the beginning of the book, sighing about how her life, evidently, wasn't worth sharing, and lamenting that Bill had "had some faith in [Sookie], no matter how faithless he might have been himself." This moping period isn't quite as painful as the one in the Twilight series, but it's close.

Another thing that bothered me: it's strange that the exotic vampire Chow, who is "Asian," has a Chinese name and Japanese yakuza tattoos. I guess I'll let that one slide, though, considering that Sookie lives in northern Louisiana and says that Chow is the first person of Asian descent that she has ever met. (That ignorance is probably reflected in Ms. Harris, as authors of these kinds of novels almost always seem to put a lot of themselves into their heroines.) That is just incredible to me. How can you go your whole life, until you're 25 or 26, not having met anyone of Asian descent?

Anyway, all complaints aside, I enjoyed this book, as I enjoy all of the Sookie Stackhouse books. We get to learn a little bit more about shifters and Weres, and Sookie meets more men who can fall in love with her.

One out of one pretty sweet Yakuza tattoo!

Living Dead in Dallas

I told myself that I couldn't read any further in the third book in Charlaine Harris' Southern Vampire series until I reviewed the second one, Living Dead in Dallas. So here we are. Hopefully, this will keep me from getting plot events confused, as I think I might have with my review of the first.

This book continues to follow perky Sookie Stackhouse on her adventures with her vampire boyfriend, Bill. Bill's boss, Eric, who owns the vampire bar Fangtasia, sends them off to use Sookie's telepathy to solve a mystery over in Dallas. In the past, she helped him find who was embezzling from his bar by reading the minds of humans who worked there. Now, she's being sent to Dallas to investigate the disappearance of a very old vampire named Godfrey (originally Godric), and to see whether the rabid anti-vampire faction of Christianity known as the Fellowship of the Sun had anything to do with it. (Funfact: Just found out that the Fellowship has a website: http://www.fellowshipofthesun.org -- hilarious! The production value on the videos is way too high for it to be realistic, though. Tee-hee!)

Now, this brings to mind another difference between the show and the books. In the show, it seems like they pull fewer punches with their fairly graphic sex scenes. But when you look at several specific incidences, it seems that some things are too extreme even for HBO. For instance, Sookie was molested by one of her uncles when she was a child. In the book, she tells Bill that he never penetrated her (obviously, since her hymen was intact for their first time), but in the series, they change it to her saying that he never touched her-- just held her in his lap and thought creepy thoughts about how she didn't have any hair on her body. Still gross, yes, but miles away from what happened in the book.

Also, when Sookie finally meets Godric in the series, he is a wise, almost Buddha-like vampire. He shows much more mercy, compassion, and understanding than any other character in either version of the series. In the books, though, he seems merely apathetic and bored with life-- he shows a disconnect with all beings, living or undead.

On to more complaining about Sookie getting mad about things I don't understand!

I believe this example comes from the second book-- if I err and it is from the first, I apologize. I lent both books to a friend right after I finished them, so cannot go back and check, or get exact quotes, for that matter.

This conversation occurred when Bill was driving Sookie to Fangtasia to meet with Eric. Bill bought a strip mall, if I remember correctly, that had several stores in it. When he told Sookie that she could go into the clothing store and pick out anything she liked, telling the salesperson to put it onto Bill's tab, she became furious with him. She was absolutely outraged that he would treat her like a 'kept woman,' and when the car mysteriously stopped, she jumped out and stormed off into the spooky woods, planning to walk all the way home. She ignored his calling to her, and when she began to have misgivings about her safety (as she heard creepy noises following her), she tried to tell herself that she was doing the right thing, and how dare Bill offer her free things and try to get her back in the car.

She is pretty awesome.


One, two, three out of three inexplicable love interests! Ah! Ah! Ah!

Dead Until Dark

Ever since I was in elementary school, I've had a soft spot for vampires, witches, and werewolves. I used to have an encyclopedic knowledge of the different guises the monsters wore in different cultures and time periods. When I was young, my fix was a series called The Last Vampire by Christopher Pike. Maybe I'll re-read that later and post my more mature (?) impression of them.

However, more recently I've discovered the guilty pleasure that is the Southern Vampire series, by Charlaine Harris.

Dead Until Dark is the first book in this series, and I liked it. I just finished re-reading it (and the second book-- I probably should have written this review before I started reading the next one..) after having seen up through Season 2 episode 10 of the HBO series based on the books, True Blood. My memory is awful, so I thought I should go back through the books and see just how true to them the show is.

The show goes much more deeply into some side-plots than the books do, but I think that it only adds richness and makes it more interesting. The minor characters are also more fleshed out and defined, again adding a new dimension.

Dead Until Dark focuses on the heroine, Sookie Stackhouse, and her 'disability,' which is telepathy. I think that Charlaine Harris might be overdoing her quirky character a bit much sometimes, making her a tad unbelievable. For instance, Sookie is always referring to her telepathy as a disability. Now, I understand that it's made her life harder, and she would rather not know everything that everyone around her is thinking, but 'disability'? That word just conjured up all the wrong images. I think a better route would have been the more obvious blessing/curse dichotomy, especially since Sookie proves herself time and time again to be a religious person.

Also, Sookie has never been in a serious relationship, because of her 'disability.' Since vampires are a 'blank spot' for her telepathy, they are some of the few people she can feel comfortable around. So when the vampire Bill wanders into the bar where she works, Merlotte's, she is instantly attracted to him (and the calming mental silence around him). However, once she is in the relationship, she seems to be quite a bit higher maintenance than one might have assumed. She takes offense at the strangest things, and gets her knickers in a knot for no reason I can see. I suppose it might be merely a writing device to differentiate between the usually cool vampire, Bill, and the hot-blooded human, Sookie, but I think that her 'reasoning' for starting tiffs with Bill is poorly thought out, even though the story is told from her perspective. It paints her as quite an irrational person, which is odd, especially since her telepathy supposedly gives her such great insights into human nature.

The foundation of the relationship of Sookie and Bill seems to be just that she can't hear his thoughts and that he thinks she tastes remarkably good. Oh, yes, and of course all of the incredible sex. Honestly, with all the fights they have over nothing, I can't imagine much else holding them together. It is quite possible that they have long, meaningful talks that the reader is not privy to, but if that's the case, they seem to forget about them pretty quickly when Sookie decides Bill isn't letting her be her own assertive self.

Bill, too, seems to have some strange personality quirks, in that he doesn't seem to have much of a personality. Perhaps it's just that he is so opaque to Sookie, who is used to reading everyone's mind. As the reader, we only know what Sookie knows-- that may be the base of the problem. Maybe.

Sam Merlotte, too, seems to be a somewhat flat character. He is Sookie's boss and owner of the bar, Merlotte's, and is defined first and foremost by his longing for Sookie-- Lord only knows why.

Flightiness of women and blankness of men aside, this book is quite entertaining. I enjoy seeing the hierarchy and power plays of the vampire society, how some vampires choose to 'mainstream' and try to join human society, and the sneak peeks that Sookie gets into the thoughts of those around her.

One out of one bloody mess!